Saturday, May 28, 2016
Christian Liars and Mother Teresa's Darkness
Can you be a Christian, a follower of Christ, and be a liar?
When first a more serious, idealistic Christian, I didn't think this was even a possibility. Surely those who followed the Humble God who died an ignominious death at the hands of slanderers would, if liars, just follow someone else, or themselves. The gold for selling yourself and damaging those who threaten you is a bigger pile on the world market. What is the point of being a liar, and I mean a person who builds himself or herself based on lies, and yet serving Christ who demands everything, a suffering God who asks His followers to suffer?
Since that first, idealistic time, and as I began to be aware of and to leave my own lies behind, I have had experience of Christian liars. These are people who present an image containing many good things: piety, manners, a well-phrased turn of speech, admiration from peers and those they claim to serve, a focus on virtue, ad nauseam. Often, these are very educated people in positions of influence, precisely because the image they present is so compelling and admirable to other idealistic Christians who, like me, cannot fathom a liar following a persecuted-for-His-honesty God.
But: Can you be a Christian, a follower of Christ, and be a liar?
The answer should be obvious, but it isn't in the realm of individual human beings and their complexity. Complexity for a human being, in our deepest places, is not a good thing. The neo-Platonic philosopher and mystic Plotinus understood this, with his theory of the One and the truth contained in his insight, based on Greek philosophy, that the highest Being is absolutely simple, containing everything in a profound unity.
Plotinian "simplicity" is not imbecility, or naivety, as we often use it. It is more akin to the Christian virtue of purity, or single-mindedness, a single-mindedness that is focused on the truth, on reality; it is the desire, at the center of one's being, to simply be in the presence of, unified with, God, who is Reality, and Truth, and Love, even at great cost to one's success or reputation; it is leaving the myriad, complex desires of ourselves or others behind, like one leaves the intricate patterns made by shadows on the ground, in order to stand in pure light. Simplicity is to become pure light.
Complexity is existence away from that simplicity, life in a chiaroscuro world of desires and mistaken ideas, existence subject to the very difficulty presented by human communication in a fallen world. We find Our Lord, walking on the lonely roads through Palestine, struggling with human complexities: We find Him using parables because he knew that the truth could not be received like direct, pure light by these mosaic, shadowed creatures. He changes tactics, slowly beginning to feed the disciples more pure food, and his disappointment is evident at their impurity of thought, their inability to hear the simple truth, even at the very end of his ministry. We, with hindsight, often find ourselves chuckling at their blindness, their "when are the Jews going to have hegemony again?" even after three intimate years with Him; yet, how often can we hear the truth when it is uncomfortable, or shatters our expectations and images we've built carefully over years, those built into us by our broken parents and friends and spouses, our broken culture? How can we communicate and receive truth, not lies? How do we know if we are liars?
In the Gorgias, one of the greatest treatises on human communication ever written, Socrates confronts a series of well-heeled, well-educated liars, young men who are the cream of the crop, the leaders, those who sought lying as an art of power. For the Greeks, the highest art or mode of living was to be a leader of the polis, and to influence others in a direct democracy, especially, required rhetoric. On the other hand, the Socratic ideal for the polity was to find reason together, to live well, to live virtuously, to live according to reality, to create a human community which lived in the light of the Good. Dialectic, the use of communication in discussion or argument, was the means to finding the right way. Rhetoric, or persuasive language, was the means to persuade the city at large to follow the right way found through dialectic. Rhetoric, according to a student of Socrates and Plato, Aristotle, is a means for creating an image in the soul of the person receiving it from the rhetor; fundamentally, it is allowing the rhetor and his view of the right way to create an image common to both speaker and hearer in both their souls, according to the truth, to reality. We see Socrates practicing this kind of rhetoric, in another dialogue, the Republic, when he creates the image of the soul by creating for his disciples an image of the ideal republic, so that, 'by seeing a larger image, they can understand the deeper, harder-to-see one, that of the soul.' Spoken in Christian terms, rhetoric is imitating the power of the Logos, Who spoke reality into being from all that He received from the Father. For a human being it is a kind of sub-creation, and a powerful rhetor will create an image that people will see as the true narrative, or eikón, of reality and so become unified with others in the Right Way. Fundamentally, the root of 'communication' is 'to commune' or 'to have unity.' Past bodily unity in this life, enfleshed souls must commune via image transfer, through language mainly: and of course, this can be creating true images, or false ones.
The young students of rhetoric and politics, the young aristocrats of the Gorgias, have varying views of rhetoric, which is ultimately political leadership; however, they have lost sight of the true eikón which is based on reality, on truth, on the simple light, and they have mixed in their own desires and selfhood with it: for them rhetoric is the power based on their own superior sight (which pride makes blind); thus their communication becomes instead an eidolon, an apparition or ghost of the real thing. They think that they see the truth, and in the end, they are those who despair in ever knowing real love, or truth, or that the universe is built on this love. It is not surprising: one can pity these young men; yet, what was it in them that made them turn on Socrates, who spoke truth, or rather stepped aside to try and let them see the true eikón? Like Christ, we can see Socrates attempting different forms of language to try and commune, be unified with, to midwife the truth between himself and others.
The young men of the Gorgias are complex, living in the shadows, made so, perhaps by the ideals of pagan culture: warrior-class prowess and an image of success based on might and domination, the deep, almost-inherent force within fallen human beings and demons that seeks to destroy the father and mother, the source of oneself, in order to gain primacy and independence, like Zeus destroys his own father, like Greeks destroying Troy, like Priam lying in his own blood at the foot of the altars, slain both by the actions of his own son and those of the culture which was engendered by his own, a culture which desired what he possessed yet desired also to outstrip it in glory.
This father-mother slaying, this rising above in power, is a cultural eidolon, a false-image which answers the very complex desires of...us. None are exempt from it at birth but are subject to Adam and Eve's original creation of this image. Our first parents, too, attempted a source-slaying, in order to have their own identity, an identity they owned. Original sin, in this sense, can then be seen as a kind of deep rhetoric, an eidolon, seeded deep in our being, deep in the heart of our species. Adam and Eve run into the shadows away from the pure light, and they live (in us) in that chiaroscuro world of shadows, complexities away from the unified light, the purity and simplicity of God.
Complexity of desires, wounds, ego, and sollipsism, all communicated by different kinds of language, or rhetoric, is the rampaging, over-fertile soil in which the liar can grow...and like our First Parents, and the young men of the Gorgias who became later those men who murdered Socrates, and the disciples of Christ, or the Jewish elites who murdered Him, or like each of us, we human beings drowning in impurities cannot stand the truth, especially about ourselves.
We all, like those who were privileged to be present at Socrates' dialectic towards truth, or those who met the Truth along the Palestinian roads and in the synagogues, will be creatures full of the eidolon of our respective cultures, and the eidolon we carry within ourselves, about ourselves. The eidolon will face the eikón, that image communicated to us through a story, a gospel, a vis--a--vis Christ or one of those who carries, truly, His eikón. It is a battle of life and death, of truth and lies. Lies are myriad, and the truth has a unity so that even small truths are intimately connected to the Whole, in simplicity and purity. Lies look self-ward, towards reinforcing the eidolon.
Now, instead of just a cultural eidolon that is pushing people together the wrong way (like Stalin's Russia), we have an eidolon that pushes us farther into our individual eidola, so that now rhetoric, though pretending to be about unity in tolerance, is really about creating eight billion little universes detached completely from reality, which is truth.
And so, how much are we Christians seduced into this multi-headed, beast-like eidolon--the beast with eight billion heads? Are we malformed, wounded, like the young men of the Gorgias? Have we fallen into the lie about ourselves?
If piety has become your 'choice'; if your education has initiated you into 'those who know' instead of 'those open to truth'; if your image as a pious, or educated, or 'better than those prostitutes' has eclipsed your sight of others--of Christ in the poor of this world, of Christ hidden deep within your own soul--then you are a liar.
I have not only seen this in myself, I have also seen Christians become actual liars, spreading slander, taking their own eidolon about another as the truth, because they feel that they, with their greater education and sight, simply cannot be wrong. I have seen this morph, inexplicably, into slander which protects something that these liars want to protect: but if protected by lack of knowledge, lack of relationship, lack of truth, anything, even something that by itself may be good, anything or anyone, even liturgy or doctrine, becomes just a tool for the erecting of a self-eidolon.
I witnessed a great writer fighting for Christian causes in public spheres turn and slander a four-year-old child and a family to the Christian community around them, effectively ostracizing and scapegoating an imperfect, yet decent family. And Christians like this prey on the trust of those basically good people who believe them. I have seen pious people destroy another's reputation on the spurious words of others without having enough love and courage to find out the truth for themselves through loving relationship with their brothers and sisters. I have seen those who say, "They are not our kind of people" because they want to be better, they want not to be contaminated. They are still writing and fighting and visiting Marian shrines and going to church, but I believe these may find the Lord saying, "You said, 'Lord, Lord,' but your hearts were far from me. I do not know you."
If I have done this, even out of fear or insecurity, I may find the Lord saying it to me. I must live a repentant life; and the greatest gift for someone like this, like me, is to be given the pain of seeing the true image of myself so that I can repent. As Father Zossima, in The Brothers Karamazov, explains, "Above all, don’t lie to yourself. The man who lies to himself and listens to his own lie comes to such a pass that he cannot distinguish the truth within him, or around him, and so loses all respect for himself and for others. And having no respect he ceases to love..."
And so, if you lie not only about and to others, but to yourself, how can you be got out of it? Add to that the lie about yourself as a follower of Truth, and you'll see Christian liars are much, much more dangerous than anything out there. They are the proverbial snakes in the grass, the rhetoricians from whom we most expect the truth.
How shall you know them? How shall you know the liars? How shall you know the true rhetors, the real Christians, from the liars?
Everyone knows the answer. But it is not always easy to see the fruits when you have a very intelligent Christian liar, and often no one imagines the pain of one being persecuted, slandered, by those who are upheld in honor by everyone else: only Christ. I believe the fruits we are looking for are those which are very obvious to those who can see them, those with enough single-minded desire to truly know God. It follows the truth that 'those who have, will have more.' The desire for truth must be present, in love, before one can see the fruits of it.
An example might be most helpful: I choose Mother Teresa because her story is most obvious, and yet holds a deep truth that is perhaps not as easy to see for those of us blinded by her celebrity. I grew up with her celebrity: I was surprised to learn, after her death, about her darkness.
She was called not only to 'serve the poor'--this she could have done from her Loreto convent in Calcutta--she was also called to 'live with the poor, to be one of them.' The significance of this is missed, often. She was called to a unity with the dying, the suffering, the poor: most importantly, with the abandoned, those whom nobody else wanted, the refuse of the world, as she used to say.
So, like Francis of Assisi, whose prayer she said everyday, she took this most literally and went with five rupees to live with the poor. And like Francis, who set about rebuilding, literally, a little run-down church when God was asking him to re-build the Church, the Body of Christ, Mother Teresa fed the poor and sheltered the dying, when God was asking her to become an eikón of them, a true and living image. He gave her her success in her efforts, he gave her celebrity, yet He also gave her darkness. She lived for fifty years feeling abandoned by God, unwanted, unloved.
Why? Isn't doing good works enough? Isn't piety, or good teaching, or education, or profound rhetoric, a humble exterior, going to the right places and liturgies, being a Catholic family, open to life, enough? Wasn't God cruel to ask more than this of none other than Mother Teresa? Wasn't she other-worldly enough in her rejection of power or status in the pagan sense and in the worldly religious sense (everyone sees how Christlike I am, what I'm doing for the Kingdom)?
I thought at first, naively, even stupidly, that God allowed this darkness to protect her from the temptations of fame. But now I see that would be cruel, in a sense. The profundity of Eloi, eloi, lama sabachthani (My God, my God, why hast Thou forsaken me?) cannot but be wasted if simply to provide a hedge against temptation (though in itself not a small thing). No. In reading about her, it becomes apparent that she lived this forsaken moment of Christ's passion for fifty years, she became externally, and--fundamentally, essentially--she became inwardly this moment of Christ's union with broken humanity, the ultimate poverty: not just God become Man, but God become abandoned man, man unable to help himself, Refuse Man.
It is astounding.
And it holds a truth about being a true Christian, not a liar, about becoming an eikón. Everyone has seen an 'icon.' It is an image done in the Eastern Christian tradition, and it is more than a 'painting.' It is a 'writing' in the sense of logos, in the sense of true rhetoric, wherein an image is communicated, a true image, a real image of the person, the truth, the Logos, the Unity of Truth and Love. The icon is spoken of in the East as a 'window' or 'sight-gate' to reality, a reality that the saint has become. The saint himself or herself has become an icon, a 'sight-gate,' a communion, with Christ, and through Christ, to the Father: "That they may be one as We are One." The grit of ego, of self-focus, has been cleaned away, renounced, so that Christ can shine through the glass.
Mother Teresa became an eikon, a true and real image, a reality, by being willing to identify completely with those she was called to help save. She was, in her very being, not a liar, not an eidolon, which she easily could have become: a pious, good-works-doing, but prouder-than-hell Christian on the inside...the ultimate lie, the lie that Satan performs each instant to us all; the lie which is all-too-easy for Christians, especially the privileged, gifted kind.
Her fruit? Compassion--co-suffering. I think you know you are with Christ, a real Christian, when he or she steps into your poverty, and suffering, and shares that image with you at the cost, perhaps, of his own reputation, in order simply to be with you, and to bring God into that shared poverty, that sin, that suffering.
Does this mean one becomes a prostitute with other prostitutes? After all, the Lord told the prophet Hosea to marry a prostitute, effectively becoming one with her. He made Mother Teresa live the life that sin brings: that of refuse, of separation from God. The truth is that God did not intend Hosea to be a prostitute, or intend Mother Teresa to be abandoned. He wanted to show Israel, through Hosea as a profound sign, that he loved her so much that he would join Himself to her even in her sin; he wanted to show us that we abandon Him in sin, and become poor, and that He is willing to become, to feel, abandoned, in order to simply...be with us.
You will know a real Christian the way you know a real Socrates, a real teacher: He or she is not 'one who knows' (a guru) but rather one who steps into the sewer with others, is willing to be in the mud, to be covered with shit, to be Christ, to find the Christ within the other, to be the rope, 'the tool in His hand' (most assuredly not the guru), but the midwife, the rope that God uses to pull the poor, the lonely, the sinful, the abandoned,the ignorant, out to the place where the still, cleansing waters are.
God has no use for the pious unless they see that piety is a duty, fundamentally, to follow Him to crucifixion, to ignomy, to self-death, out of the abundance of love that they, as a true eikón of Him, bring.
Christians who live so that they are never contaminated are useless, and they are liars, because we are all contaminated more seriously than we can imagine if we have ever seen a human soul as it was meant to be. We work to build a culture of love and beauty, the beauty of the monastery and the liturgy, but we don't do it because we want an un-contaminated, sterile test-tube to save for later. We do it so that there is a true eikón of heaven, knowing we are just the imperfect tools, knowing with the true joy only the selfless know that it may be built in a way that we cannot imagine: like Socrates, our rhetoric, our dialectic, our plans, must be always open to the Other, to the other. To the unexpected.
We must, then, live within the tension of sub-creating beauty and yet being an eikón of the Suffering Servant, who goes out to find the lost sheep in the bracken; further, in order to save, we must step into their suffering. The beauty of the House of the Dying, where resided the Eucharist in an old Hindu temple, out of which Mother Teresa, eikón of abandonment, a sign of the God who wills to suffer with the human being impoverished by the sin that plagues us all, went into the sewer, literally, and returned with those whom the sewer had claimed.
That is true rhetoric, true imaging, and she told the truth in every fibre. Let us be that and the Holy Spirit will pour Himself out through a billion springs.
Sunday, May 22, 2016
The One Thing Necessary
By Thaddeus Kozinski
I think the one thing necessary
is to do everything one can to become conscious of God's
presence and to obtain intimacy
with this presence and the adorable Will to which it
gently invites us to surrender
ourselves. Beautiful and reverent liturgy is, of course, a
primary tool for such intimacy
and surrender. However, my personal experience tells
me that one's finite thoughts and
feelings about God and His will, no matter orthodox,
sublime, and in accord with
authentic Catholic Tradition, can easily be mistaken for God
Himself, and become an idol that
actually serves to separate us from the awareness of
and intimacy with God's presence.
The present moment, regardless of
its content (except for sin, of course, but even there
God is waiting for us to come to
our senses) is where we find God, and only there, for the
future and past do not exist. We
can easily live our entire lives in alienation from this
divine present moment, due to an
inordinate attachment to our plans, the future, the
past, our convictions, and our oh
so pious thoughts and intentions, as well as rash
judgments of others. There is
nothing wrong with a robust and loyal devotion and
defense of Tradition, but the
Pharisee temptation, the temptation to a fanaticism that
protects us from what we
neurotically fear, usually some post-traumatic-stress form of
fear of contamination and
intimacy and loss of control, is as powerful among those with
the particular charism to defend
Tradition as it is undetectable by them once it is given
in to. I speak from personal
experience. I have found that the awareness of this
temptation, and one's
susceptibility to it, once it is has been given in to repeatedly,
decreases as a function of the
spiritual urgency of one's need to recognize it in order to
be free of it through repentance.
In other words, it is the kind of sin that makes
repentance nearly impossible--for
it is "they" who need to repent, who are impure and
disloyal and traitors to God, not
me!
The world, and the people
floundering around in it, needs our love and hope and
friendship, as much as it needs
correction and even condemnation--its sins and
structures of sin, that is.
Surely, we can only do this effectively from a perspective
steeped in Catholic Tradition,
but only if such steepage is actually making us humble,
loving, simple, intimate with
God. Brother Lawrence is the model for such humble
simplicity. All he wanted was to
be in the presence of God, and he showed us how to do
it.
But, how can we be both
supportive of the best in our culture and tradition, and yet
willing to have supper with the
prostitutes and tax collectors, who we all are to a larger
extent than we want to realize,
without becoming elitist snobs and Pharisees, on the one
hand, and sentimental enablers of
evil, on the other? How can we imitate Christ and
cleanse the modern temples of
Christ of mediocrity and ugliness and hypocrisy and
ideology, and our secular culture
of self-and-mammon-worship, as we rightly desire,
while also being willing to ask
sinful men and woman for a drink of water, perhaps from
an impure well, so we can share
our gifts and hope with them?
Saturday, May 07, 2016
Plough and Poetry
Presently we saw a curious thing: There were no clouds, the sun
was going down in a limpid, gold-washed sky. Just as the lower edge
of the red disc rested on the high fields against the horizon, a
great black figure suddenly appeared on the face of the sun. We
sprang to our feet, straining our eyes toward it. In a moment we
realized what it was. On some upland farm, a plough had been left
standing in the field. The sun was sinking just behind it. Magnified
across the distance by the horizontal light, it stood out against the
sun, was exactly contained within the circle of the disk; the
handles, the tongue, the share—black against the molten red. There
it was, heroic in size, a picture writing on the sun.
Even while we whispered about it, our vision disappeared; the ball dropped and dropped until the red tip went beneath the earth. The fields below us were dark, the sky was growing pale, and that forgotten plough had sunk back to its own littleness somewhere on the prairie.
Even while we whispered about it, our vision disappeared; the ball dropped and dropped until the red tip went beneath the earth. The fields below us were dark, the sky was growing pale, and that forgotten plough had sunk back to its own littleness somewhere on the prairie.
Our sight, so much a part of utilitarian, practical life, sometimes catches a rare glimpse of something more; the phenomena moving towards us can suddenly dance, or become still and reveal something. Jim and Antonia, young people enjoying the evening of a Nebraska summer are given this image of a normally unnoticed object, an object now seen in all its meaning and fullness by a different kind of light falling on it, a stagelight of sorts which reveals it, the plough, as a phenomenon imbued with new depth, with its true connection not only to the pioneer spirit, but to the virtues and the meaning of human life. Only those who have been on the great prairies of North America can understand what the lone plough really means, what virtues of perseverance, courage, and ultimately, hope, that it helped foster. The rhythm of sowing and harvest, hope before the winter and all that can kill a pioneer family as easily as a flood pouring into an anthill.
Jim's journey is a journey, most deeply, of sight. He is a watcher. Finally, as a middle-aged man returning from the East, he sees Antonia:
She lent herself to immemorial human attitudes which we
recognize by instinct as universal and true. I had not been mistaken.
She was a battered woman now, not a lovely girl; but she still had
that something which fires the imagination, could still stop one’s
breath for a moment by a look or gesture that somehow revealed the
meaning in common things. She had only to stand in the orchard, to
put her hand on a little crab tree and look up at the apples, to make
you feel the goodness of planting and tending and harvesting at last.
All the strong things of her heart came out in her body, that had
been so tireless in serving generous emotions.
It was no wonder that her sons stood tall and straight. She was a rich mine of life, like the founders of early races.
Like the sight of the plough against the final gesture of the sun, Antonia is suddenly transformed from a failure to a source of life, from the one with bad luck, plagued with the poor decisions of others, meaningless prairie dog, uprooted Bohemian foreigner, daughter of a suicide father and sister of boorish men, to something much, much more: even in, perhaps especially because, of her now diminished physical beauty. How many men, especially in our porn-plagued, shallow visual culture, or perhaps in our over-rationalized religious sense, can see a Woman? For Jim, the veil of diminished sight was lifted aside, and he could see something more, much more. Antonia becomes a source, a vision, of the eternal order of love, an order often revealed clearly to the blind through suffering, the order that the virtues point to, reflected in the cycle of nature, of life and death, like the authority of light suddenly revealed in the fact that the darkness cannot overcome it.
It was no wonder that her sons stood tall and straight. She was a rich mine of life, like the founders of early races.
Like the sight of the plough against the final gesture of the sun, Antonia is suddenly transformed from a failure to a source of life, from the one with bad luck, plagued with the poor decisions of others, meaningless prairie dog, uprooted Bohemian foreigner, daughter of a suicide father and sister of boorish men, to something much, much more: even in, perhaps especially because, of her now diminished physical beauty. How many men, especially in our porn-plagued, shallow visual culture, or perhaps in our over-rationalized religious sense, can see a Woman? For Jim, the veil of diminished sight was lifted aside, and he could see something more, much more. Antonia becomes a source, a vision, of the eternal order of love, an order often revealed clearly to the blind through suffering, the order that the virtues point to, reflected in the cycle of nature, of life and death, like the authority of light suddenly revealed in the fact that the darkness cannot overcome it.
Is this 'sight' poetic nonsense? Is poetry--including all that fires the imagination, or better still, reveals this deeper sight of the things and people which are given to us moment by moment, wishful thinking? In a utilitarian, rationalist, or emotion-driven world, it does seem like wishful thinking, or "Fine Arts" said in that disdainful, weary way that people who create programs for public schools (STEM--Science, Technology. Engineering, Math) will say it. Or "Liberal Arts" the way someone in the war-technology industry might spit it out, "what a waste of time and money."
We have lost the delight in, and thirst for, poetry, an essential, foundational element of the liberal arts, those arts that seek to perfect the human person. I don't mean just the memorization of Frost's "On a Snowy Evening" for diction-training; I mean the understanding that encountering poetry is like snorkeling in the waters of human longing, a deeper sight born from the spring of the eternal in us, the sight, the eye of the heart. 'Heart' to me is not synonymous with 'emotion'; in the Scriptures, it is used synonymously with the center of, the nexus of the will, mind, emotions, and memory. In a sense it is the enfleshed soul.
We live in a culture of starving hearts. Mother Theresa knew this, when she exhorted people in weathier societies to look for the deeper poverty of loneliness: and I would dare to add, the poverty of the sight, the inability to connect with the natural and eternal order of the cosmos, which is, truly, at the foundation, an order of love. We live amongst many people who are blind and starving; their poetic soul (which I believe every human has as an essential identity) is dying or dead.
What is poetry as expressed in human and divine terms?
Human beings have expressed it in scientific theories, like Xenophanes, who saw the thought of God, a kind of Logos, permeating the cosmos, giving it order and unity; in rational treatises, like Aristotle's beautiful structure in the Physics and Metaphysics; in logic and story united in Plato's dialogues and the Republic; like Euclid's 'bare beauty' (St. Vincent-Millay); like the virtuous order expressed in the beauty of Ciceronean rhetoric; like the delight in words of Shakespeare and Milton; like the ecstasy of vision of Goethe; the delicate rational, Aristotelian Jane Austen; the efficacy of even failure in the Power and Glory of Graham Greene; the epic longing of Homer and Dante.
Human beings have also expressed it in painting, dance, drama, in marriage, death, childbearing, and in suffering evil for the sake of this vision expressed most clearly poetically.
The Divine expresses it through the human hand in the verses of Job, Jeremiah, Isaiah, in Genesis and even Numbers; the love and beyond-ness of God, and the torrent of Him who interacts with us and cares more for our heart, our poetic heart, than for our scientific or rationalist knowledge (though these are not bad). I believe even St. Thomas understood that human expression, even in the most beautiful and clear logic, is 'as straw' to the reality of God, to life--though it is said that the Logos Himself told St. Thomas, "You have written well of me, Thomas." Poetic expression, the poetic heart, can lift the veil of our poor logic in the face of reality and show our heart a vision, a mystery, transcendent and resplendent in the light of God. It is the sight of the meaning of everything, the Whole, and the infinitely swift understanding, outside of Time almost, of how the parts relate to the whole.
The Divine reached down and became, in a sense, Poetry; He became the plough on the hillside, a poor and normal object in the gaze of the higher classes, the teaching class of the Pharisee and the ruling class of the Sadducee. They could not see Him because they stood above Him, looking down off the hillside with their backs to the light (because they thought they possessed it). Only those who were, like the newly freed prisoner from Plato's cave, looking towards the light from a humble viewpoint, could see Him in relief against the sky, against the light of His Father.
Like Antonia, his battered state revealed His heart, a connection to hope, faith, and love, and from these, a connection to the order of the cosmos, based on Love.
We find Him, in the Gospels, walking, being, speaking in a very human sense. One gets, through the poetry of those who loved Him and were with Him, the way one is with another, through the heart, poetically, a sense of Him: not given to exhibition, or hilarity, a serious man who was often frustrated with the blindness--or saddened by it; a man who knew much, a quiet Watcher, who would see out to the limits of a crowd, with an ear for those whose cries came from a place without guile; a passionate person who loved the delicate, vulnerable glory of His Father to the point of righteous rage; a man who looked most into the heart of another, not into the mind; a man who waxed eloquent most when speaking about unity in love with those the Father had given Him; a man who cared enough about the ignorant to spare them from civil war by diminishing His own rights; a man moved, in His own poetic heart, by the simple faith of even those to whom He had not yet come.
How does one gain, or re-gain, a poetic heart? Like virtue, which Socrates said cannot be taught as one teaches math, poetry must be learned by being with poets, by being opened, by being willing to receive, as Jim and Antonia receive the image of the plough, as Jim finally receives Antonia.
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